Tag Archives: black excellence

Review: What If I Told You, Royal Exchange

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Image: West Yorkshire Playhouse website

What If I Told You by Pauline Mayers

Royal Exchange, Manchester [19.06.17]

Enter the empty space. Leave your belongings beside the wall – you will not be needing them. Form a circle. There’s something quite wholesome about it. And your evening has begun.

Pauline Mayers’ What If I Told You (WIITY) is an exploration of life as a black woman in the performance world and beyond, delivered through storytelling, movement and tableux. This immersive experience places the audience within Pauline’s story but also allows us to revisit our own life experiences. This is a work that focuses on each of us being present, a necessary component of having access to the many truths of the piece.

Pauline invites us to play, embrace one another, see each other and hear her truth. WIITY is a historical playground that illustrates the bullying and abusing of black women’s bodies through time. We are exposed to the harsh truths of experiments conducted on black women by Dr J. Marion Sims in the name of gynaecology and told the names of three of the black women he experimented on: Anarcha, Betsy and Lucy. This alongside the flooding of ‘Black Lives Matter’ chanting, highlights the true war that has been and still is upon black bodies in the Western world. Pauline invites us into a space that contains black pain but she does not turn this into a spectacle. She acknowledges these experiences with a truthfulness and encourages us to reflect on how and why these events are occurring.

These narratives are weaved into Pauline’s personal experiences. She tells us of her journey from childhood to girlhood to adulthood. When she describes her audition for the Rambert School, she talks of how she has the shortest legs of all of the girls in the room. And for a moment, this brings up a memory I have from modelling. I remember being stood in a room with nine other girls who’s legs basically went up to my shoulders. And then I remember, the dodgy comments made about my thighs, nose and lips.

Back in the room and I feel even more connected to Pauline. This is likely in part due to the conversation we had over the phone where we discussed the way in which black women’s bodies are othered in theatre and the wider world. But it is also in part due to Pauline having the incredible ability to blur the edges between the theatrical play space she has created and the world outside of the studio.

Listening to Pauline’s journey through the arts world has given me hope. Her story is one that young black women should experience. It is unfortunately not often that you find a black woman in a space telling her story, talking about the challenges of her journey and absolutely smashing it. This is exactly what we need more of.

This piece ends with the audience being present and moving across the space and engaging with each other via a look or an embrace. At this point, I will admit I became quite disengaged. For me, physical contact is something to only be shared with those I am close to. I initially felt unsettled watching people hug each other and spent the next day questioning why that was. I do not have a conclusion yet but, I know this was a unique moment in which people were able to just be, together.

Verdict: What If I Told You is wonderful piece of storytelling that allows us to step into Pauline’s shoes and those of black women in history. Through measured physicality and emotive and engaging storytelling, we are able to truly be present with Pauline and explore our own narratives alongside hers. Go see it at Edinburgh Fringe this summer!

 

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Review: Superposition, STUN

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Image: Tamsin Drury

Superposition by Chanje Kunda

STUN, Manchester

“The great thing about lap dancing is it’s universal, you can do it anywhere”

Take a seat in a smoky night club. Await your performer. You paid for her time, after all. But, before all of that, you need some etiquette lessons in the art of erotic dance.

Superposition is a funny, honest, frank and hopeful look at the questions that surround the universe, through the juxtaposed lens of lap dancing and quantum physics. Chanje Kunda has successfully taken two concepts that you wouldn’t normally find in the same sentence and flawlessly merged them into a dialogue around bodies, ethics and being. We are invited to attend a sequence of lessons that are erotic dancing’s answer to Summer Magic’s ‘Femininity’ We watch Chanje put on a pair of the most glorious ‘stripper shoes’ and then join her in a guided demonstration of walking, winking, floor fuckery and how to captivate your paying ‘guest’ through dance. These lessons describe the art in a crisp and focused manner yet, the demonstration is wholeheartedly funny and relateable. Watching Chanje wobble in her sky high heels and try to deliver these poses with elegance reminds us of the awkwardness we’ve all felt when trying to learn to walk in heels and how to do ‘sexy’ in the way that society expects us to.

In between lessons, Chanje recounts encounters as a visitor to lap dancing clubs and how mesmirising it is to watch someone dance. These re-tellings are poetic in nature and allow us to journey back with Chanje and visualise the setting. Beautifully complimented by sharp yet subtle physicality, Superposition is an honest and in depth look at how we think and react to bodies and the spaces they reside in.

There is something quite beautiful about how real and truthful this piece is. As Chanje shares her own experience of lap dancing lessons, we are all reminded that our internal dialogues in group settings are incredibly valid and often very funny. When she describes how they all undressed in front of each other and she was left completely baffled by the differences in pubic hair between herself and her white counterparts, we cannot help but laugh at the bluntness of this thought being verbalised. Given that the media likes nothing more than to peddle the myth that body hair is wrong and that you’re either hairless or a super hairy feminist, it was nice to hear this unfiltered unpacking of how much of what we’ve been told is nonsense and the reality that the only real shared characteristic of bodies is purely that they are bodies. And, it is their variation that makes them truly beautiful.

Superposition is an invitation to a self assessment and a learning curve that you invested in. Chanje steps out of her meeting with her fellow lap dancing students and provokes us: “I let you watch me because you paid… I wonder what you think of my body”. And in this statement, we are forced to consider the politics of ownership, trade and, the commodification and policing that surrounds bodies but, more specifically black women’s bodies. In our journey down the rabbit hole, Chanje has created a space in which she challenges perceptions of black bodies and expresses the strength and beauty they possess. She looks into the hypersexualisation yet simultaneous ‘ugly’ stereotypes that surround black bodies and through the use of physics, explains black excellence. This is a piece of theatre that every black woman needs to see. It is uplifting and a concrete reminder that we are allowed to be apologetically black and that we are as beautiful as the universe itself because we are part of it.  It is in her declaration of wants “I want to display/dance/exhibit/own my black body” that she shows the defiance, honesty and self love that every black woman deserves to have in their life.

As this performance was a work in progress, the depth of and attention to big and somewhat taboo topics was commendable and I cannot wait to see the completed show when it premiers in October 2017.

Verdict: Superposition is the empowering evening that every black woman deserves. We are invited to contemplate time, loneliness, beauty and strength – all through a dialogue that would make a great mindfulness album. A cathartic, funny and brutally honest show about bodies, particles and the universe. Stunning!

 

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