The Marked by Theatre Témoin
The Lowry, Salford [20.05.17]
It’s late. A homeless man is sleeping on a stack of wooden pallets among the bins. We are very aware that there isn’t an option to go back inside.
Pigeons, puppetry and perspective – three things that Theatre Témoin bring to the table in their new offering, The Marked. Through the innovative use of masks, props and puppets, the company are able to take us into a new world filled with a variety of distinct characters, that is worryingly close to the one we reside in. Theatre Témoin offer us a magnifying glass to examine the complexities and underlying stories behind homelessness – a situation that is very much alive on Manchester’s doorstep yet, brushed out of sight. If you’ve ever walked past a homeless person and not acknowledged them, The Marked directs you to think about that person and think about why it was easy for you to do nothing.
Crafted from true stories, this piece provides an honest look at a multitude of social issues including alcoholism and abusive relationships. Flashbacks of inciting incidents to Jack’s circumstance allow us to journey with him from childhood to adulthood. We are exposed to the harsh realities of alcohol dependency – from the compulsion to drink and the anger/love switch towards loved ones, to the terrifying struggle of children exposed to this. Despite Jack (played by Bradley Thompson) being present on stage and acting as puppeteer of young Jack, these scenes are so visually compelling that we almost forget that there are actors on stage. Dorie Kinnear who plays Sophie but also wears the mask of Jack’s mother, gives a captivating performance and through physicality creates a stunning and emotional portrait of Jack’s mother. The comparisons created between Jack’s mother and Sophie throughout the piece are nuanced and carefully stitch both the past and current narratives together.
The symbolism derived from tapping into childhood that drives this piece is really quite special. Jack’s torch is very much a symbol of hope and goodness within this piece and reminds us all of the little trinkets we carried as children to stop us from being scared. This was the heartfelt object equivalent of the thunder buddies mantra in Ted. Top that off with two incredibly engaging pigeons who speak to Jack about the power of his torch and the importance of him continuing to fight the demons. When Jack declares his torch is broken, he is challenged by one pigeon: “it can’t break, it’s a metaphor”. As a writer, this line not only amused me but, was a wonderful reminder that only physical things get broken. Everything else may not necessarily be fully functioning but, nonetheless, it is recoverable. This was a beautiful, small and subtle token of healing.
Verdict: The Marked is a visually exciting piece of theatre that honestly and tactfully explores challenging social issues. The use of puppetry, masks and physicality crafts the world of this play wonderfully. A must see!